Departure 2019 (Live Set for Phantom Circuit)

by Elizabeth Joan Kelly

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wc_helmets Elizabeth Joan Kelly has really created something special here. A short journey through Wendy Carlos inspired analogue film music, fractured techno, and uplifting arpeggios, all held together by a voice both lovely and haunting. Moods shift between track but as a whole creates a wonderful listening experience. Favorite track: Departure (Live).

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Full Digital Discography

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Get all 12 Elizabeth Joan Kelly releases available on Bandcamp and save 50%.

Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Blue Moon Frequency #2b [Spring Mix], C.M.S.O. (Learning by Listening Vol. 1), Stay Safe, Blue Moon Frequency #2b [Fall Mix], Blue Moon Frequency #2b [Summer Mix], Farewell, Doomed Planet!, Departure 2019 (Live Set for Phantom Circuit), Starchild, and 4 more. , and , .

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Limited Edition Cassette
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Limited edition of 30 professionally-dubbed units. Clear cassette with red leader, encased in Flat chipboard "Cassingle" style O-Card with hand-affixed full-color front and back sticker labels.

Includes unlimited streaming of Departure 2019 (Live Set for Phantom Circuit) via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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1.	Departure (Live) 06:18	lyrics	buy track
This world, new world Won't be my home Here the windstorms inferno filled The sirocco whorl endlessly The atmosphere tenebrous Astral flares radiant empyrean How can I know if it is our love, or creation that's ending?
2.	Club Clanger (Live) 05:30	info	buy track
3.	Beau Travail (Live) 07:34	info	buy track

about

Three song set recorded "live" for Phantom Circuit episode #239, and first broadcast by Resonance Extra on Thursday, 24 January 2019. More info at phantomcircuit.com/2019/01/25/phantom-circuit-239-with-a-session-by-elizabeth-joan-kelly/

"There are a lot of sounds in here all at once- some slip beats and some static which makes it even begin to sound like a swarm of bees- and yet when you hear them all combined, in their formation together, it sounds like magic, like music..." – raised by cassettes

"...the music rattles around like a kind engine of unspecific electronic origin, one that caters Elizabeth Joan Kelly’s voice like a space fairy that had been made for the glorious mission. She sings beautifully warm and kind, as if her vocals are channeled from another world in which everything is better, healthier and sane. The synth melody seems to acknowledge this all by underlining the whole ordeal like a seal of approval." – Yeah I Know It Sucks

credits

released March 22, 2019

Music composed, performed, recorded, and mixed by Elizabeth Joan Kelly

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Elizabeth Joan Kelly New Orleans, Louisiana

Post-apocalyptic junkyard drone pop.

Elizabeth Joan Kelly is a New Orleans-based electronic composer. She uses found sounds and MIDI to create lush soundscapes at the epicenter of synthpop, industrial, ambient, darkwave, and classical music.

More music at orcaattack.bandcamp.com ... more

elizabethjoankelly.com

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