Departure 2019 (Live Set for Phantom Circuit)

by Elizabeth Joan Kelly

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wc_helmets Elizabeth Joan Kelly has really created something special here. A short journey through Wendy Carlos inspired analogue film music, fractured techno, and uplifting arpeggios, all held together by a voice both lovely and haunting. Moods shift between track but as a whole creates a wonderful listening experience. Favorite track: Departure (Live).
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Three song set recorded "live" for Phantom Circuit episode #239, and first broadcast by Resonance Extra on Thursday, 24 January 2019. More info at phantomcircuit.com/2019/01/25/phantom-circuit-239-with-a-session-by-elizabeth-joan-kelly/

"There are a lot of sounds in here all at once- some slip beats and some static which makes it even begin to sound like a swarm of bees- and yet when you hear them all combined, in their formation together, it sounds like magic, like music..." – raised by cassettes

"...the music rattles around like a kind engine of unspecific electronic origin, one that caters Elizabeth Joan Kelly’s voice like a space fairy that had been made for the glorious mission. She sings beautifully warm and kind, as if her vocals are channeled from another world in which everything is better, healthier and sane. The synth melody seems to acknowledge this all by underlining the whole ordeal like a seal of approval." – Yeah I Know It Sucks

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released March 22, 2019

Music composed, performed, recorded, and mixed by Elizabeth Joan Kelly

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Elizabeth Joan Kelly New Orleans, Louisiana

Elizabeth Joan Kelly is a New Orleans-based classical and ambient/industrial electronic music composer. She uses found sounds and MIDI to create lush soundscapes influenced by Zola Jesus, Nine Inch Nails, Portishead, Fever Ray, and The Knife.

More music at orcaattack.bandcamp.com
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Track Name: Departure (Live)
This world, new world
Won't be my home
Here the windstorms inferno filled
The sirocco whorl endlessly
The atmosphere tenebrous
Astral flares radiant empyrean
How can I know if it is our love, or creation that's ending?

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